Showing posts with label Tuesday Excerpts. Show all posts
Showing posts with label Tuesday Excerpts. Show all posts

Sunday, October 24, 2010

Tuesday Except: Live Edition

So, who remembers my Tuesday Excerpts of olden days? Anyone?

Ah, I see some hands. Well, who misses that feature? Oh good, I see some hands there, too.

Well, get ready for a brand new Tuesday Excerpt this Tuesday, October 26th, LIVE!

That's right, I will be reading at the St. Louis Writers Guild "Writing to the Edge" Open Mic Night at the Schlafly Tap Room. The event starts at 7:30 PM and is open to the public.

Finally, you will get to experience a small slice of what I've been working on. And by working, you all know that I've spent a majority of that time looking something like this:


But still, come drink a beer or seven (the Pale Ale is a golden standby, though their special reserve beers are amazing), have some good food (I suggest the Bavarian Style pretzels with White Cheddar sauce if you just want something to snack on), and listen to some local writers read from their poetry, short stories, non-fiction and novels.

And, most importantly for you, my readers, get a real live version of a Tuesday Excerpt in person. How cool is that? I will be available afterwards to sign any piece of paper you happen to put under my nose. Or, to answer any questions or whatever. Or to have a beer with.

See you Tuesday!

Tuesday, October 21, 2008

Tuesday Excerpt Blogapalooza 2!

Alright gang, no intro. Check it!

===

from Novel, October 2008.

He arrived on a Friday night without warning, as I stood at my drafty picture window my wife has been dogging me to replace for months. He arrived in a red rusted Buick Regal, wearing a red rusted jacket and had a red rusted patch of hair on his chin. No bifurcated tail, no horns, no cleft hooves. His called himself Jamie and he promised everything with his smile before he even said a word. “I’m here to help you write your novel,” he said. I let him in after one knock and a brief introduction, even though I had work to do.

“Your wife is gone for the weekend, yes?” he asked. I cleared a space for him on the couch by moving my humming laptop.

“Yes.” I offered to take his jacket, but he declined. He pushed his brown-tinted sunglasses up his forehead and revealed burst blood vessels in the whites of his eyes.

He smiled at me staring at him, and I stared at him smiling at me for a minute. “Well,” he finally broke the tension. “Why am I here?”

I sat on the rug. “You came here.”

He nodded. “How about a drink?” And without a word he had moved around the corner to the kitchen. I could hear the clink of bottles and he came back through the dining room bearing two pint glasses of my beer. I stood and he handed me a drink. “To Labor Day Weekend,” he said. His sunglasses slid back down over his eyes as he knocked his glass into mine. He took a long drink. It was almost midnight. I told him this. “So you should get started soon. That’s why I’m here.”

“No,” I said. “No, that’s not…I’m supposed to write it on my own. You should go.” I sat down on the couch with the beer in my hand.

“It’s impolite not to drink when somebody makes a toast,” he said. I took a sip. It was cold and I could taste the hops and I knew he had searched through my refrigerator for my good expensive beer, which he was now chugging like Pabst. “You’re supposed to write it on your own. A whole novel. Three days.”

I nodded. He stood there watching me, so I set my beer on the floor and pulled the computer onto my lap. “See?” I said, pulling up the relevant information. “See?” I pointed to the contest rules. I had signed up to write it alone.

He smiled. “You need me.”

“I don’t,” I said, simply. “Anyway, please leave. It’s midnight now. I can start.”

He walked back to the kitchen and returned with another beer. “Friends don’t let friends drive drunk,” he said, pouring the beer down his throat.

Marathon writing is not good for mind, body, or soul. It bends each in ways it was not meant to be. But what I discovered with Jamie watching every word I typed was that one thing more torturous than writing non stop for three days straight, and that is not being able to write at all for those three days.

By Saturday morning I had typed a gross of thirty pages. But Jamie made me self-conscious of every letter that appeared on my computer screen. I had only netted six pages. I would type a word and he would snicker, a sentence and he would laugh. With each page he let forth a volcano of guffawing. “What’s so mother fucking funny?” I kept asking. He only answered with his bloodshot eyes.

I slept through most of Saturday afternoon and when I woke up, Jamie was where I had left him; beer in hand at the dining room table reading a stack of books he had pulled from my shelf. The stack on his left had shrunk considerably while the stack on his right had toppled under haphazard construction practices. “This is maybe what you should have been doing all summer,” he said into his pint glass. “Instead of whatever it is you did do all summer.” He was still wearing his jacket, and unless he looked at me when he spoke, his eyes remained hidden behind the shades.

“It was wet,” I said. “The air conditioner was sliding down the hill. The retaining wall couldn’t wait.” I could taste sleep and stale beer in my mouth. When I sat down with my computer after two slices of toast, we resumed our dynamic. I wrote, he laughed.

I wasn’t sure if Jamie slept or not, because I never once saw him take a rest. As the weekend progressed into Sunday, his alcohol consumption dissipated as mine increased. He removed his sunglasses more often and his eyes became whiter each time. Sunday afternoon, I looked into the bathroom mirror and saw my eyes were now bright red, bloodshot, worse than Jamie’s had been when I first saw them. My reflection framed in the mirror, the stubble on my chin uneven and rough. I had twenty four pages. Unless I was writing, Jamie tore through more of my books, his sunglasses now sitting across the table from where he sat. On my way from the bathroom to the kitchen, I slipped my fingers around the glasses and put them over my eyes.

===

There ya go. Checked.

Tuesday, August 19, 2008

Sorry To Let You Down...and Tuesday Excerpt...and Promise of a New Feature

Elliot = Bad Blogger.

And now, for my Tuesday Excerpt.

After the ban on posting my Three Day Novel lifted, I didn't post it. And I'm not going to do so, now, because I'm going to do something else.

I turned a chapter into a play, and the play can sort of stand on its own while the chapter really can't. So I'm posting the play. Which is awesome. So here goes.

===

The Funeral Dinner, September 2007

Characters:
Quentin, 26, eager and bright eyed
Colin, 27, the solemn type
Amy, 28, also solemn
Meredith, 24, Quentin’s ex with whom he is reconnecting

Scene opens on a small, cramped apartment. QUENTIN is cooking a dinner in the kitchen, upstage right. Upstage center, there is a living room set up, with a television, coffee table, sofa, stereo, bookshelf, and a desk with a computer. Directly downstage from the kitchen is a small dining room table set up. There is a door leading off stage left to the bedroom, another stage right that is the entrance to the apartment. There is a large window with open shades next to this door, through which light is streaming. Quentin is wearing a yellow dress shirt, a pair of dark khaki pants and brown shoes. There is light music playing.

QUENTIN
Add the cilantro, and, there! Should be done!
(he stirs the pot and puts the lid on it)
Candles...candles...
(he searches the apartment for candles, which he finds on the bookshelf in a set of glass candlesticks. he sets these on the table)
Everything is set. Any minute now...
(there is a knock on the door)
Yes.
(he picks up a bottle of cologne and sprays his neck and wrists)
Coming!
(he puts the cologne on the bookshelf behind a picture frame and goes to open the door)
Hell...oh, what are you two doing here?
(Colin and Amy are standing at the door, carrying plastic shopping bags, Colin in dark pants and a white dress shirt, Amy in a black skirt and dark pink blouse)

COLIN
This is an intervention of sorts. Let us in.
(the two visitors push past Quentin)

AMY
(looking around)
Oh my God, Quentin...did you actually clean your apartment?
(she sniffs the air)
And are you cooking chili?

QUENTIN
(shutting the door and rushing to stand between the two visitors)
Yes. And yes. What do you want? And make it quick, please I have plans to...um...eat alone, tonight. Yeah. Alone.

COLIN
(looking around the place)
Dressed like that? And listening to “The Postal Service?”

QUENTIN
Yes. Yes, really. What is this about?

AMY
What’s all this about?
(looks at candlesticks on the table)
You didn’t get back together with Kristen did you?

QUENTIN
No, not at...no. Absolutely...no. Never. It’s nothing. I just wanted to...treat myself to a nice evening.

COLIN
Good, well, you’re dressed nice, we were going to force you into some nice clothes anyway. Amy, let’s set up, shall we?
(Colin and Amy begin taking items out of their shopping bags, Colin producing a shoe box painted brown and a stack of photographs, Amy a handful of votive candles in plastic holders. Colin places the box on the coffee table)

AMY
Is it okay, Quentin, if I just light these candles on the dinner table? That way I have more for the coffee table.
(she sets candles on every available surface, including creating a ring on the coffee table and two taller pillar candles on each side of the top of the television)
You have matches, right?
(she heads into the kitchen and begins searching)
This chili smells fantastic, Quentin.

COLIN
This music has to go.
(he presses stop on the stereo, pulls out the CD and puts in a CD he drew from his bag, and the apartment is filled with the opening strains of Carmina Burana)
Carl Orf. This is a nice compilation of some good requiem music.

AMY
(walking up to Quentin, who has been watching each of them with surprise and alarm mounting on his face)
This is the most recent picture we could find of Meredith.
(she hands him a framed picture)
I know it’s about four years old, and yeah, she’s dressed kinda goofy, but she’s having a good time at the State Fair, it’s a good way to remember her.

QUENTIN
What the hell are you talking about?

AMY
I’ll take care of this.
(she takes the picture and puts it between the pillar candles on top of the television)
Colin?

COLIN
Of course, Amy, if you would?
(Colin shuts the shades on the window as Amy cuts the lights and strikes a match, lighting the candles)
Quentin?
(stands right beside him, puts a hand on his shoulder)
It’s a time for grief, but also a time for growth and healing, my son. Shall we begin, Amy?

QUENTIN
Okay, seriously, you both have to leave right now.

AMY
Quentin, please...take a seat.
(she has finished lighting the candles, and escorts him to sit on the couch)

COLIN
(he has put on a dark suit jacket and a pair of reading glasses)
Dearly beloved, we are gathered here today to mourn the symbolic passing of Meredith Katherine Wallace.

QUENTIN
What the hell?

AMY
Quentin, sh, please.

COLIN
Meredith was a good woman, full of life and spirit, and served the children of the Minneapolis Public School System as a student teacher for a year, before moving on to become a full time instructor and guide for the young minds of the Duluth Public Schools. We now commit our memories of her to their final resting place, inside this, er, casket, and eventually, um, outside in that park across the street, underneath a magnolia tree, which I’m pretty sure she’d find a relaxing place to be.
(beat)
I would now like to invite those of you who knew her best to please step up and say a few words about her.
(stands aside; there is much pushing and prodding on the couch)

AMY
(standing up)
Well, I would like to say a few words, thank you, Reverend.

COLIN
Father.

AMY
Ew, I sleep with you.

COLIN
Deacon?

AMY
(considering)
Yeah, they can be married.

QUENTIN
Good GOD what have I done to deserve this?

COLIN
Quentin, sh, please.

AMY
I only met Meredith once, at a Violent Femmes and Afghan Whigs concert for which she didn’t stay to see the second half. I understood, as it takes a certain kind of person to like the Afghan Whigs, and their particular brand of post-punk pop-rock music is not for everybody.
(pause)
But she and I will always have the handshake outside of First Avenue, and I’ll never forget how much I wanted that pleated peasant skirt she was wearing that night. I wish I had told her that now, especially because she asked me where I got my jeans and I told her. For all I know, she owns a pair of those jeans, and I have never been able to find a skirt like that one anywhere.
(beat)
Meredith, you will be missed.
(she kisses her hand and touches it to the “casket” on the coffee table)

COLIN
Thank you, Amy. That was very sweet. Anyone else?
(Amy sits down next to Quentin, who merely crosses his arms and shakes his head)
Well, if nobody minds, I would like to say a few words.
(beat)
Quentin, you have suffered much from the loss of Meredith, but I urge you to remember her as she was, three years ago, when you were in love. Think of that person, and ask yourself; “what would she say if she could see me suffer?” I believe she would say, “Let me go, Quentin. Let me be at peace, so you can be at peace as well.” So please, my friend...
(beat)
...be at peace.
(bows his head, turns to face the picture of Meredith atop the television)
Be at peace.
(faces Quentin again, his face grave and solemn as Samuel Barber’s Adagio for Strings plays)
Be at peace.
(beat)

QUENTIN
(stands)
Well, okay, Colin, Amy, thank you for that, really, great stuff but you have to leave right now. Like, right now.
(there is a knock on the door, which was not closed all the way and therefore swings open, revealing Meredith standing there in a white pleated floor length peasant skirt and a purple tank top)

MEREDITH
Am I interrupting something?
(the men are frozen, staring at each other)

AMY
(getting up and running to Meredith’s side)
Where did you get that skirt?

COLIN
(shrugs)
This is kind of embarrassing, huh?
(grabs the picture of Meredith from the top of the television and hides it)

MEREDITH
Um...thrift shop? Quentin? Are they staying for dinner? Please say no.

QUENTIN
No, they’re just leaving. Right Colin, Amy?
(both slowly stir)

COLIN
Right, should...Quentin, everything’s...you’ll get the, um...candles back to me?

QUENTIN
Out.

AMY
I love that skirt, Meredith, love it.

QUENTIN
OUT!
(Amy and Colin exit, but Amy comes back)

AMY
Quentin, I’ve been meaning to ask you for your chili recipe...

QUENTIN
(mock cheerful)
Take a pound of beef and three whole tomatoes and GET OUT!
(she exits)
(End)

===

And now to introduce the possibility of a new feature; Video Blogging. Now, it won't be a really regular feature, I don't think. But it should be fun to give it a try. I was hoping to do a little bit tonight, but it's not looking promising. But still, maybe...

It is impossible to discourage the real writers - they don't give a damn what you say, they're going to write. -Sinclair Lewis

Tuesday, July 15, 2008

A Late Tuesday Excerpt

Kind of late, I know. But you're getting an interesting treat tonight with it. See, normally with a Tuesday Excerpt you get a short bit from a longer piece. But tonight, what you're getting is something else.

Writing is much like any other art (painting, composing, sculpting) in that sometimes the artist has a few false starts before finding a groove. Bearing that in mind, for every story I finish you can safely guess that there were three more started. So what do I do with those three unfinished stories? Well, sometimes they just sit forever, and I find them later and read what I've got and decide it's terrible. Sometimes, I come back and say, "Hey, that's not bad." The only problem is that it's normally a long time before I come back, and it's hard to remember just where I was going to take the story.

So tonight, I'm sharing with you a selection of those false starts. Some have potential (a couple are already past ten pages), some are so so, and some are just terrible. What you may notice is a similarity in theme, or character or plot elements within these false starts, because what I am doing is fine-tuning an idea. Most of what you are seeing tonight eventually became one of two stories; "Special Detail" or "Momentum." There is also one thrown in about buying a used car that I really want to revisit now and try and tweak. So, without further explanation:

===

from an Untitled work, spring 2006

Michael would later reflect on his first job out of college, at the Bubba Gump Shrimp Company restaurant at the Mall of America, and wonder if things wouldn’t have been better if he had just stayed there. Not even to advance in employment, from server to captain of servers, to assistant floor manager, to floor manager, and so on, but just to remain a server, and smile, and bring people shrimp cocktails, shrimp burgers, barbecued shrimp, and so on, and earn the tips that bought him the car that got him into so much trouble.

The mob. Don’t think it disappeared. It seems now to be a Hollywood legend, a thing of the past, romanticized to no end by names like Dean Martin, Al Pacino, and so forth. Guy Richie stylized the British mafia as nothing more than a bunch of blundering buffoons. We all had a good laugh, even me and Michael. Roommates, he and I, back at good the good old U of M. That’s what we like to call the University of Minnesota, but I suppose that’s what kids who go to University of Michigan call their school. We used to spend hours watching mafia movies. He and I went as gangsters one Halloween (that’s gangsters, not gangstas). He ended up one in real life. With a capitol G.

We lost touch for a few years out of school. I was dating this girl I met at graduation, and he was using his business accounting degree to sell plates of shrimp to tourists. We got together every once in a while, reminisced annually. Six years out of school, he found a real job at an architecture firm called Ellerbee-Beckett, as their Assistant Chief Executive Accountant in charge of Institutional Projects. Basically, this meant that he was in charge of the money being spent on building more ridiculously overpriced (and ridiculous looking) structures on the very college campus he said, on graduation day, “Man, I’ve had some great times here. I never want to leave.”

As a journalist, I should have caught on quicker, but I was blinded by his new apartment on our fifth annual catching-up-and-getting-smashed meeting. The drinks were free, the food was free, the limo was free. Everybody knew Fran Levinson owned that bar. Everybody was about to find out he owned Ellerbee-Beckett, too.

It would be almost another year before I found out Fran also owned Michael Rose.

“Colin Fairmount,” I answered my phone. It was Craig Jeffries, the editor of the Minneapolis Star-Tribune. A man with a plan. A man with vision. A man who I had been trying to avoid because I didn’t have my story done.

“Fairmount.” He started every conversation with the last name of the person he was talking to.

***

from an unfinished work titled "In Which Colin, Fed Up With His VW, Buys A Used Car" spring 2006

“No, this one isn’t going to cut it,” he said, sizing up the out of place Skoda sitting on the Volkswagen dealer’s lot. The man helping him had a thick Germanic accent that Colin couldn’t quite wrap his head completely around. The man gestured at the automobile—for that is what it was, no odd Eastern-European model could rightly be called a ‘car’ in Colin’s mind—and looked helplessly at Colin.

“What, wrong kind of color?”

Colin regarded the color, something he had been trying to avoid since he first saw it; he had so far focused on the tires, the rims, the hubcaps, the logo on the grill, the bumper sticker which read “I’m not tailgating, I’m inspecting their—“ but was ripped off and so the punch-line was missing, anything but register the sickening day-glow orange paint with the equally eye-twisting fluorescent purple detail work. “The colors are awful,” he admitted. “But that’s not the problem.”

“Custom paint job. The man who trades this car, tells me so. Custom, he said. Premium. Cost him a lot. I gave him good deal on trade in. Do you have trade in?”

“My car,” Colin inserted a sigh here. “Is in Moline, Illinois.”

Three days earlier, on a routine trip to Racine, Wisconsin to visit a friend of his from college, Colin’s car had overheated in the middle of the night. “Your water pump went out,” the stranger on the phone from Middle-Of-Nowhere, Illinois told him the morning after this happened. “So you’re timing belt is, well, you got close to a hundred and fifty thousand miles on there, it was time for it to be replaced anyway.”

“I just got the timing belt replaced. The whole engine just got rebuilt. Why didn’t they tell me I needed a new water pump?”

There was a long intake of breath from the other end of the line. “Well, it’s cause they either got shit for brains,” here he paused, as if for dramatic effect. “Or your water pump looked fine. They’ll go out on you, all of a sudden. One minute pumping water like a heart pumping blood, next minute you’re on the side of the road.” He took a breath, and Colin sensed the man would go on and on if left to his own devices.

“How much to have it repaired?” he asked.

“Shoot, new timing belt and water pump for a V Dub? You want me to do it, you’re talking at least seven hundred parts and labor, maybe more. Not to mention I can’t start today, cause I ain’t even got the parts, gotta order them from Chicago.”

Colin stared out of his hotel room window, eyes unfocused and reliving the previous evening. The check engine light, the temperature gauge buried in the red, way too hot zone, the grinding noise as his engine died. Then the state trooper stopping and calling in the tow truck. The truck taking the car twelve miles in the wrong direction, while he and the state trooper followed. The state trooper being nice enough to drive him to the nearest hotel which happened to be sixty miles away, in Moline. His room, from a four story Howard Johnson or Red Roof or something along those lines, overlooked a plethora of car dealerships, the most prominent of which was a Volkswagen dealer. “Can’t you order them from the dealership in Moline?” To which the inevitable response was that no, he ordered all of his parts from his cousin’s automotive supply in Chicago.

And so Colin found himself at the odd dealership, talking to the odd man, looking at the odd car. “It’s a 1997 Jetta, and it’s in Moline with a broken water pump and a melted timing belt.” He looked again at the Skoda. “I hate this.”

“You take better care of your car, then these things happen, well, they won’t.” The man looked again at the Skoda. “It is good car, reliable. And only used car on lot. You want a new car?”

“No.” That was something Colin found odd, more odd than the mechanic not ordering the parts from Moline, and almost as odd as the Skoda itself; six car dealerships, and not one used car aside from this, for lack of a better term, thing. “How can this be the only used car you have?”

“We a giant sale are having, all of our used cars last weekend. Super Six-Hundred Sale. Once every few months. All dealers here, all owned by same man. He gather all used cars, sells them at the fairgrounds. This is all that’s left.” Colin peered into the interior and saw a yellow and black stripe pattern on the seats, gearshift and steering wheel.

“I wonder why.”

***

from an Untitled work, spring 2006

Brandon

Every morning, when he stepped out of his room and into the hall, he gave a silent command to everybody; stay out of my way, and everything will be fine. He would never have hurt anybody, hadn’t done so off the lacrosse field and wasn’t going to start now. Actually backing up his mere presence with actions would have required more time than was given to him in a day, and that time was precious. Grades needed to be kept up to stay on the team. In the off season, trips to the gym needed to replace the rigorous practices he faced during the regular season.

He slept only four hours a night; classes began for him at eight every morning, even Fridays, and nobody else on his floor went to class on Fridays because they were on the Northeast end of campus, the school of design sector, and they never had classes on Fridays. Design students loaded their Tuesdays and Thursdays with gen-eds and took their color classes and computer animation courses on Mondays and Wednesdays, leaving Friday as an extra day of the weekend. He had deliberately chosen Pennington Hall because it was farthest from both the business college and the lacrosse field. He ignored the nearby gym, claiming the main student gym on the south side of campus was far superior. He didn’t know for sure, because he had never been to the gym attached to Pennington Hall. He ran to practice as a warm up. He rode his bicycle to class on days when it wasn’t raining. He had class until three every day, and returned to his dorm before doing anything else. Studying was done after working out.

He was glad his roommate had never shown up for school.

Nathan

“Hey, guys, we have a floor meeting tonight in the lounge downstairs. I ordered some pizza, I’ve got some soda, we’re going to talk about this semester, okay?” His residents took no notice of him, on their way out. He continued walking to his room. Opening the door, he found underwear duct-taped to his ceiling. A note, hanging from a pair of gray boxer-briefs, read “Nate, you should have locked your room when you left. Call my room when you get back. Love, Brian.”

“Son of a bitch,” Nathan muttered, as he began pulling his underpants off the ceiling, standing on his tip-toes to reach them. Somebody knocked on his door, so he cleared his throat. “Just a second.” The situation was hopeless, he decided, so he stepped out of his room and into the hall and came face to face with Brandon.

Brandon was holding a piece of paper which he shoved in Nathan’s face. “What’s this?” It was a sheet of paper with a drawing of Bart Simpson and his friend Milhouse. Underneath their picture, in bold black letters, were the names “Brandon L.” and “Cameron S.”

“It’s your new Door Decoration. Everybody’s got new ones for the new semester.” Indeed, ever door had a similar piece of paper; Mike D. and Paul T. had a drawing of Fred Flintstone and Barney Rubble. Jeff S. and Jerry N. had Batman and Superman. Nathan himself had Huckleberry Hound.

“Okay, but what’s this?” Brandon pointed to the second name on his sheet of paper.

“Well, come to the meeting tonight at 7:30 in the downstairs lounge, and you’ll find out. Okay? And, pass the information along to any of the other guys you see, please?”

“Am I getting a roommate?”

“Come to the meeting.” Nathan tried to look intimidating, but as his head came to Brandon’s shoulders it was, he decided, probably less than impressive.

“I’ll be working out at 7:30.” Brandon walked away, bumping into Nathan’s shoulder as he passed him. Nathan watched Brandon as he strode down the hall, shoulders back, head high, effortlessly tall and intimidating.

“Shit.” Nathan muttered before returning to his room.

Cameron

Cameron Sound walked into Pennington Hall with only his messenger bag. Everything else he intended to bring along to school was still at home, a mere seventeen miles away. He approached the front desk slowly, glancing around the room; the notice board still declaring that refrigerators must be unplugged over winter break. Dates were given for people driving home, along with destinations and invitations for anyone interested to split the cost of gas. He greeted the guy sitting behind the desk. “Hi, I’m supposed to be moving in here, how do I go about doing that?”

“Student ID?” the person asked. Cameron saw “Jake” on his nametag.

“Here you go, Jake.” Cameron said, handing him the fresh ID he had been given that morning; the shadows behind him in the picture gave the impression of a mullet. Jake checked a list he had sitting beside him on the desk, running down a column with his long, thin finger.

“Okay, Cam, you’re in room E434.” Jake swiped Cameron’s ID through a card reader mounted to the wall, pushed a button on the apparatus and slid it through again. “I just activated your card so it will open the front doors,” he pointed to the doors that were propped open at the moment. “And also the interior doors leading to the east and north wings.” He pointed to doors at opposite ends of the lobby. “Front door is unlocked between eight in the morning and four in the afternoon, but the interior doors are always locked, so don’t lose this.” Jake handed the ID back to Cameron.

“Which door is mine?”

“East Wing, that door there.” Jake pointed to the door closest to Cameron. A blonde girl in a ruffled skirt emerged from the door and looked at Cameron for a second before turning and exiting through the open front door. “Now, if you would just fill out this paperwork and I’ll get your key. Have you met your Resident Advisor yet?” Cameron admitted he had not, and Jake shook his head. “Sorry. You have to sign something for him before I can give you your key. I’ll give it to him next time I see him, or I can call and see if he’s in his room.” Jake handed Cameron a stack of paper Tolstoy would have been proud to turn out and vanished behind a partition.

Cameron began filling it out, sighing at each mention he encountered of “The University” because, he kept telling himself, he was finally moving on, finally getting away from high school. Finally, he was doing the right thing.

Jake came back and sat heavily in his chair. “Okay, your RA’s name is Nathan, and he’s having a floor meeting at 7:30 in the lounge.” Jake pointed at a room with windows all around it behind Cameron. “He says he’ll meet you there, is that okay?”

“Sure,” Cameron said. “Do you have a map of the campus? I’ll just walk around looking for my classes.”

Brandon

“I’m getting a roommate, Emily. Can you believe it?” He ground his teeth into the phone.

“Well, yes, I can; I have three roommates and I live in what used to be the floor lounge. I never thought it was fair you had a double to yourself.”

“I’m not the only one; Rob down the hall has a double, and there’s only three guys in the quad on my floor. Why single me out?”

“It’s not a conspiracy against you, you know.”

“Yeah, well, it could be. I’m going to workout, will you meet me at the gym?” He moved himself to the edge of his bed and swung his legs down. They dangled in the empty space between the top and bottom bunks.

“No, we have a floor meeting tonight, discussing what we’re doing this semester or something.”

“I wonder why my advisor never does anything like that,” Brandon mused. “Okay, well, I’ll see you tomorrow. Did you get into the comp two class I’m in?”

“I’m not sure, I have to go talk to the teacher first day of class. Have a good workout.”

“Bye.” Brandon hung up the phone and dropped to the floor. His telephone, which he had sitting on his bed, took a fall behind him.

He turned and saw that the phone had been ruined when it fell. The earpiece had broken off, the keypad had come detached. It was an ancient phone he had taken from his parents’ basement before coming to college, and he was loath to shell out money to buy a new phone. “Damn it all, now I’ve got to go to the store tonight.”

***

from an Untitled work, spring 2006

After my last gas bill, I had turned off my heater and not turned it back on, so the early January cold intruded my space, nearly freezing my extremities every time I slept. I couldn’t wait to sleep in my old room, with Dave Grohl and Taylor Hawkins smiling at me from my wall.

The muted television displayed an image of the vice president. Headlines scrawled along the bottom of the screen. Flights cancelled, major universities shutting down campuses, traffic jams out of New York, Los Angeles, Boston, Washington DC, and Chicago. Schaumburg was only about twenty miles from Evanston, but with a traffic jam, it was likely to take me two hours or more. My phone rang.

“This is Cameron Sound.”

“Honey, it’s your mother. Are you safe?” I glanced out my window at the Northwestern Campus, watching the cars as they periodically pulled out from the parking lot, driving somewhere imaginary that was safer than where they were.

“I’m fine, Mom.” Put up a defense, don’t seem too eager; it’s not your style to be agreeable. You are still rebelling, even though you’re twenty-one years old and should, by all rights, be an adult.

“Are you sure? I’m worried about you. Did you hear that the terror level was raised?” I closed my eyes. What was she doing right now? Multi-tasking for sure. Was she playing Solitaire on her computer? Was she preparing lunch? I heard my mother take a deep breath. Was she smoking again? I saw her chain smoking, sitting in the kitchen blowing the smoke out the window.

“I don’t live in a cave.” I picked at my sleeve. My cell phone rang, but I ignored it.

“Come home.”

My cell phone continued to ring even after I had left Evanston. The sound mixed with honking and the hum of my engine. I ignored it. It rang. I ignored it. It rang and rang. I finally picked it up and glanced at the number that was calling. It was just a number, nobody in my phone book, but it was somebody in Schaumburg. “I don’t know who you are,” I scolded the phone. “I’m not picking you up.”

I set my phone on the console, sliding it underneath the parking brake lever. The Volkswagen in front of me had Missouri license plates and was emitting a rhythmic thumping which shook my mirrors. My phone rang. I set my hand on the parking brake lever and put my thumb over the button. I clicked the button several times, then moved my hand to my gearshift and pushed it from neutral to third, second, first, neutral, first, neutral, and first one more time, before slowly letting the clutch out and pushing down on the gas. The tension of the clutch pushed my foot hard; I slid backwards a few feet before the clutch engaged and inched me forward. I rocked back and forth like this until the Volkswagen pulled ahead, and I followed.

“This is Cameron Sound,” I finally gave in to the phone. Silence. “This is Cameron Sound, hello?”

“Cameron.” The voice sounded nervous. It cleared it’s throat. “Cameron, it’s—it’s Amanda.”

The booming bass from the Volkswagen stopped. My engine ran silent. All I could hear was Amanda’s voice. “Amanda.”

I heard her sigh, saw her sigh, her lips parted, phone to her left ear, left elbow leaning on a table, right hand brushing her hair behind her right ear over and over. I pulled my car forward another car length. “I’m sorry to call you,” she explained. “I’m in trouble.”

What kind of trouble could she be in that it drove her to call me of all people? “Nothing is springing to my mind,” I said aloud.

“What?”

“Nothing. What kind of trouble are you in?” The Volkswagen pulled ahead suddenly, and beyond it I saw traffic begin to flow at a quicker pace.

“Are you near home?”

“On my way,” I told her. “Leaving Evanston now. What kind of trouble are you in?”

“My flight got cancelled. Trains aren’t running, busses are running on a limited schedule and they’re all booked.” Where do I come in? “Listen, I called everybody, my mom can’t get away from work and my dad can’t get down here from Detroit, everybody else I know is in the same boat I am, nobody can head to Lawrence.”

Traffic was moving along well now, and I drove in silence for half a mile with the phone to my ear, listening to her breath on the other end.

“Cameron, I’m sorry. I shouldn’t have called you, it was a last resort, and if you can’t take me, just say so.”

“You want me to take you to Lawrence?” Every time I had to shift, I took my right hand off the steering wheel and frantically pushed up a gear. This is a trick I used to find out if my wheels were properly aligned. I was in fourth gear now, and cruising well.

“You’re the only person who can help me. But you don’t have to.” I pushed into fifth gear, changed lanes and passed the Volkswagen, leaving the throbbing bass behind.

My mother was standing on the porch, waving and smiling and sending a thousand thank-yous heavenward for my safe arrival. I smelled charred wood and vegetable soup simmering on the stove. “I’m not staying,” I told her right away. “I’m sorry.”

“Why not? You’re not going back into the city are you?” She absent-mindedly took a cigarette from a silver case she kept in her pocket and stuck it in her mouth, lighting it with a souvenir Hard Rock Café Zippo. I stared at her.

“Where’s Dad, Mom?” I dropped my laptop bag to the floor with a thud. She took a drag and walked to the cold fireplace, reaching in and opening the floo and blowing the smoke at the burnt wood in the grate.

“He’s at the grocery store. When I told him you were coming home, he went out to buy a case of beer. Whatever that beer is you always ask for.” She flicked the ashes into the fireplace and looked at me.

“Does he know you started smoking again?” She looked at her cigarette, eyelids drawing slowly up, up, revealing the whites of her eyes in sharper and sharper detail. She took a quick puff and smiled at me.

“Stressful day, you know how it is.”

“Must be. Stressful enough to sift through all those boxes of crap in the basement and find your lighter and cigarette flask.” I walked to the bathroom. When I came out, she had thrown her cigarette into the fireplace and was preparing a fire. “Disposing of the evidence?”

“Don’t start. Why aren’t you staying?” She lit the fire starter and stood. “Make sure the fire catches while I go check on the soup.” My mother was like a cigarette herself, leaving me breathless and winded.

“No, I’m not staying. I’m taking Amanda to school.”

I watched the fireplace, the flames licking the stack of wood. “You’re taking Amanda to school?” I could smell the smoke from her clothes as she walked closer to me. “Are you two back together?” Of course not. We broke up two years ago and that was it. I didn’t answer her.

“I’m doing her a favor; she’s got to be back before class starts Thursday.”

“And you’re just going to take a couple of days to drive a girl you barely ever talk to halfway across the country?”

“You smell like cigarettes. I love you.”

She lived in one of those subdivisions which have only six houses repeated a hundred times, each off-white with a brick façade around the door. Amanda’s house had been repainted a soothing baby blue since the last time I saw it. I rang the bell and held my breath as the door opened. “Could you take this?” She shoved a suitcase at me.

“Nice to see you, Amanda.” I opened my trunk and moved my junk around to make room for her suitcase which I assumed contained her entire wardrobe. With a thud behind me, I realized I had been wrong. “Got enough clothes?”

“I didn’t pack the sweater you gave me for my seventeenth birthday,” she explained. “So yes, I have just enough clothes.” This remark was followed by a short lived smirk, which was replaced with a look of disgust. “I’m sorry, that’s really mean of me. I should be more grateful. Thank you for doing this, Cameron.”

She stood, facing me, her hair falling like a black curtain over her forehead and eyes. She wore a long sleeve white shirt underneath a light blue KU tee. Her black boots disappeared into the cuffs of her faded jeans. The left boot rocked back and forth. Her arms were raised, halfway, in a gesture that appeared to be an aborted hug. I stuck out my right hand and took hers. “You’re welcome; I won’t ask for a hug so you don’t need to offer one. Just get in.”

===

Well, there they are. Like I said, you'll notice similar themes and/or characters, not only here but it other stories I've written. Hope this makes up for my recent bad blogging skills...

"All of us learn to write in the second grade. Most of us go on to greater things." -Bobby Knight

Tuesday, July 01, 2008

Tuesday Excerpt...and an Apology...

Friday night, instead of free-writing, I went to the Skyview Drive-In to see Wall-E and Get Smart. Wall-E was definitely the better of the two, but Get Smart did have its moments. I liked a lot of the nods to the original series but, let's face it, Steve Carell, as hilarious as he can be, is no Don Adams. But back to the matter at hand, that being the blog.

The air conditioning unit outside our house sits on a concrete slab on the side of a hill, and to our dismay we discovered last week that with all the recent rain, the concrete slab has started pitching down the hill a bit. And, of course, the rotting crumbling railroad tie retaining wall wasn't going to hold. So, we had a grandiose plan for the backyard, part of it being an overhaul of this section of the yard. I thought a quick fix was in order, but then I realized that, what the hell, why not go for it and do what we want? Well, Kathy had already come to this decision because she's much more quick-witted and right about these things. So we dropped a bunch of money on retaining wall blocks, tools, rocks, etc., everything we need to build not one but two retaining walls in our back yard, to kind of step it down on that side and level out the area where the a/c unit sits. So, for the past two evenings, we've been working on tilling, digging, moving, sweating, and singing chain-gang songs. And so far, the wall is...not even remotely looking like a wall. In fact, at this point, if we get a torrential downpour (the likes of which we have in fact seen many of since March), our a/c unit will probably end up in our neighbor's yard. But we've got clear skies until Thursday-ish, so tomorrow we will work fervently to at least get enough of a wall to actually have it retain something. This also explains why I didn't free write Saturday or Sunday. That, and the suggestions were, um...well, a murder was too general, and the other suggestion was too You Don't Mess With the Zohan. But I did like the idea of making the president go away...

Right, well, there's a lot going on that I would love to talk about, but most of it has little to do with the world of writing. So, forget it, I'll get to the excerpt.

This comes from a writing exercise I did this past semester. We were supposed to write for twenty minutes about an object that held a special meaning for us. And after we were done doing that, it was all out of our system so we could write a few pages about it with some distance, as if we didn't know all of that significance.

I chose a snare drum head from the days of The Hitchhikers. And what you're getting is part of the second half of the exercise, the distanced bit.

===

from a writing exercise, March 2008

When I arrived, Alan greeted me at the door solemnly and showed me in. I was surrounded by Rob’s family, not a familiar face in the crowd beyond Mr. and Mrs. Sullivan, Alan, and Rob’s older sister Maggie, who had flown in from Boston where she was at grad school. The food all tasted the same to me, the meatballs sharing a texture with the crackers and cheese. Alan pulled me aside after an hour’s worth of nervous eating and took me up to Rob’s room. He told me to take anything, any one thing, to remember Rob by. I didn’t have the heart or desire to tell him that I already had Rob’s copy of his favorite book, One Hundred Years of Solitude and a hefty portion of his CD collection, but I wasn’t about to turn Alan down. I looked around the room and saw what for me had been an enigma for some time, but that I had never taken the time to ask Rob about. It was a circular object, about fourteen inches in diameter, made of flimsy plastic and coated with something white and scratchy. It was ringed with a metal hoop that gave it its firm shape, and it had been drawn on with markers over and over, so that barely any of it was legible as I stood in the middle of the room gazing at it. I asked Alan if he knew what it was. He said it was the head of a snare drum.

I took it home with me, saying goodbye to Alan and his parents, seeking out Maggie and giving her the hug I had wanted to give her since I was in fifth grade and I thought she was so pretty. I sat in my room on my bed with the drum head in my lap and stared at it. Up close, the drawings and writings were little more legible, as they had been drawn and drawn over it seemed countless times. I didn’t recognize any of the handwriting as Rob’s, and the drawings were altogether too straight-edged to be his. I looked at my wall, saw the poster Rob had drawn for a party we had thrown and compared the drawings. There was no similarity at all; Rob’s drawings were all lazy and relaxed, the angles coming together in acute and obtuse meetings. But the drawings on the drum head were sharp, right-angled. The lines were straight, but his tended to curve slightly inward as he drew. None of the lines were smeared on the drum head, either, but Rob’s lines were almost always smeared from his left hand moving the marker or pen across the medium. I examined the drum head closer, trying to pick out phrases or meanings from the drawings.

There was a tractor drawn on the bottom, smoke creeping from its exhaust pipe, forming the words “The Farm Team.” Next to that, somebody had copied pi out to twenty digits, but many of the later numbers were obscured by a hasty scrawling of “I Like Beth.” Somebody had at one time crossed out the word “Beth” and written above it “Skittles” but the line and the replacement word had been drawn with something less permanent than the original message. I couldn’t think of a single Beth that I knew aside from a distant cousin in Texas. Somebody else had drawn what looked like three Easter Island statues on the left side, under which the initials “B.S.H.” were set out in strong block letters. In the center, a five point star had been drawn and it seemed to provide a barrier against the rest of the marker; within the star, the head was mostly white, with a few dark spots as if something had struck it, and it occurred to me that this is probably where whoever had used the drum head had beat it with his or her sticks. I continued looking around it to see if there was anything else I could read. The same hand that had proclaimed affection for Beth also had written “Do or Do Not, There Is No Try” next to the stone heads, and then the quadratic formula followed in another hand.

===

There you have it!

"Coleridge was a drug addict. Poe was an alcoholic. Marlowe was killed by a man whom he was treacherously trying to stab. Pope took money to keep a woman's name out of a satire then wrote a piece so that she could still be recognized anyhow. Chatterton killed himself. Byron was accused of incest. Do you still want to a writer - and if so, why?" -Bennett Cerf

Tuesday, June 24, 2008

Tuesday Excerpt

No fanfare, no glitz, glamour or paparazi. Just straight up fiction tonight. And before I get hit with a barage of questions...yes. This is fiction. Yes, I used my name for the narrator's character. But if I was going to do that and write a real story that really happened, I would have gone ahead and used everybody and their real names. A few things are based in fact, so if you want to know, ask me which bits are. But don't assume. Please. Fiction.

So, I love music. And I took an advanced fiction writing workshop this past semester at school. I wrote three stories; the first of which reflected my mood at the time, and it's dark and dreary and depressing and I hate it, especially the main character. Then I wrote my play, which tacked the same subject (the end of a relationship) in a much better way than what I had written as a story.

My second story was an attempt at working in current events; it dealt with a guy who is making a great living not by preying on other peoples' misfortunes, but by nonetheless benefitting from them: he works for a title abstracting company (sound familiar?) and spends his days researching properties that have been foreclosed on. I don't want to give away too much because it might be worth Tuesday Excerpting later this summer.

But for my third story, I took that love of music I randomly mentioned above and ran with it. I created a band, they're called Left Ventricle. It was the best I could come up with at the time, but that's not really important. What is important is that the band is based loosely on The Hitchhikers, but really, anybody who has ever been in a band will recognize something (I hope) from this. You may remember Joe Dubinsky of Heart Beat. Well, Left Ventricle belongs to the same universe, not one in which bands Come Together and Rock and Roll All Night and Party Every Day, but one in which there comes a day when The Music Dies. Like Heart Beat, Left Ventricle will never become the bands the members emulate; but like Skins from Tainted Batteries (aka Heart Beat), somebody may make it some day. Anyway, this is the most put-together portion of the story, and I'm still working on it, but, ah hell, I done introduced it enough. I give you...

===

from North for Salvation, April-June 2008.

“Rock and roll doesn’t necessarily mean a band. It doesn’t mean a singer, and it doesn’t mean a lyric, really. It’s that question of trying to be immortal.” –Malcolm McLaren

“When buying a used car, punch the buttons on the radio. If all the stations are rock and roll, there’s a good chance the transmission is shot.” –Larry Lujack

“It’s been a long lonely, lonely, lonely, lonely, lonely time.” –Robert Plant



Bingo’s tires whining on the surface of the pavement, Corey sitting next to me and I can tell he’s got one ear on the radio and one ear on the engine, and he’s only got two ears, and I can’t blame him for sparing one for Grace Slick as she seeps out of Bingo’s speakers and permeates the van, but still, I wish somebody would listen to me, and Corey (whom I’ve never seen asleep) and I are the only two awake. But he’s got his other ear listening to Bingo’s engine, which he knows better than any human could know another human. He named Bingo, he says, because when he walked onto the instant credit used car lot they advertise on late night reruns, he saw the thing, pointed, and said, “Bingo.” The name stuck, and when he sold it to us, to the band, Corey stuck too.

The mix CD Ryan had put together for the tour spins, the tracks coming at us like the pavement of Interstate 70. Ryan himself, sleeping soundlessly, head hanging back, mouth open obscenely and drooling. I can’t see Johnny, except no, John now, he’s insisting, just John, Johnny is for boys and rock stars who want to mean it. Whatever that means. I can’t take it. “Corey,” I say, pausing the music.

“End of the song first,” he says, clearly willing to listen, our first real talk ever, maybe, but he resumes the music now. Normal conversations between us regard only the placement of my drums in the back of the van so they won’t get scratched up, timetables on when Bingo will be back up and running. “Coupla minutes, boys,” he always says, be it a couple of minutes or a couple of hours away from completion. I take a moment to remember if we’ve ever had a conversation not about the van, and it comes to me; once. I had asked him what he was doing one night, two years ago, on a tour of New England we booked opening for The Slip for three weeks, and Bingo was not acting up and we had the night off in Boston. “Hang out at the hotel, I guess,” he had said, and I invited him to a baseball game, Fenway Park. The Red Sox’s miraculous season but I cheered for them, not knowing they would win that game against Cleveland and go on to defeat my home team in the Fall Classic. “Thanks, Elliot,” Corey said afterwards. “I liked that game.”

He doesn’t turn the music off, just down, but I recognize the tune as Play With Fire by the Rolling Stones and now I want to wait until the end of the song, but I don’t. “Corey, do you want Bingo back?”

“Why?” he asks, his bowl cut plastered to his sweaty forehead. He runs the back of a meaty hand across it, pushes the hair to his right temple.

“Well, I mean, so you have a car, I know how much you like working on Bingo and everything, you-“

“Why the fuck do I want this piece of shit? I stick around with you guys so it keeps running, and because you guys have a good time, I get to have a good time…so fuck it. If you’re done, I’m done. But why can’t you replace Johnny?” I think of this, briefly, but the thought is replaced by the envelope from Berklee School of music in my backpack tucked behind the driver’s seat.

“It’s not that simple,” I say. “We can’t just replace Johnny.”

Which is utter bullshit, because what is Johnny? Ryan’s the poet and he’s the composer, and I mean that, he doesn’t just string chords together, he does that too but he composes and interweaves and his voice cries with the sadness Johnny’s heart has never been able to comprehend, which is why Johnny doesn’t sing for us anymore. But Ryan has no head for the business end, and while I don’t either, I’ve at least got the stomach for working out deals with club owners and I know how to answer an e-mail. But Johnny, he played the bass, and bass players are two a penny. It was his persona that was irreplaceable, but some things are better left untouched.

I want to say all of this. Corey looks at me in the flash of a passing semi, but his eyes are glazed over. He might be high, or tired, but he has no interest in Bingo beyond the van being a ticket to some fun, and now he says “Fuck it” so finally and with glazed eyes that I can’t help thinking of that song by The Slip: “He made up his mind/can’t live knowing that there’s some other world.” Like now, Corey has no purpose.

I turn away from Corey, turn the music back up. He turns it back down.

“What are you getting at?”

“We can’t replace Johnny, so Left Ventricle’s done. He moves to Kansas City at the end of the summer, he starts his fucking bank job or whatever it is, then we’re done.”

“So start another band.” And he turns the music back up.

And he’s right, we could. And he’s also right that we could replace Johnny. Two out of three ain’t bad, at least that’s what the song says. But then there’s the envelope in my backpack, the yes inside of it, the financial benefits. The song says nothing of one out of three being worth anything.

Except back in Minneapolis, on our night off this tour, before Johnny made his announcement and became John, Ryan didn’t take the night off. And neither did I. Johnny and Corey hit up some campus bars, I sat in with an old high school friend’s band because he was celebrating his anniversary, and Ryan did an acoustic solo set at a coffee shop. Maybe Ryan doesn’t need two out of three. Maybe all he needs is himself.

***

Slamming my foot down on the gas to pass a semi, and the transmission drops a gear and Bingo kicks up speed. “Easy,” Corey says, “Bingo’s not as young as she used to be,” and he’s right, because Bingo is almost thirty years old now, ancient for a Ford Cargo van that’s been converted into a passenger van. The odometer says there are four hundred and fifteen thousand miles on the engine, a testament to the previous owner’s meticulous care and Corey’s ongoing maintenance. But everything eventually goes, even Corey’s admitted this, everything eventually stops running.

Ryan stirs in the back. “Where are we?” he asks.

“Between Kansas City and Columbia,” I say. “And we need gas soon.”

Ryan looks out the window. “Hey, alright, Porn Shop and Church alley. We need to stop? Do we want to be saved or commit unspeakable acts of sin?”

“We’re going North,” I say. “This time. Last time we came through, we turned South each time. North this time.”

“Ah, come on…that’s mostly salvation.” Ryan closes his eyes again and leans back.

“We don’t need a repeat of Johnny’s Rosary,” I say, pointing to the offending object as it dangles from the rear view mirror. It’s made of a glow-in-the dark novelty cross, mint flavored dental floss and anal beads Johnny purchased on our last trip down I-70. He wears it onstage some nights, dressed in tight black clothes and eyeliner smeared on his eyelids.

Ryan looks back at Johnny. “Should I wake him up, get his vote?”

“Fuck him,” Corey says. “He’s not part of the band anymore.” Corey turns to Ryan. “You guys aren’t gonna quit just because he’s out, right? You guys are gonna replace him, right?”

“Corey, come on,” I say, “Just let it go, we’ll…we’ll figure it all out in a couple days. After the show back home.”

But Ryan’s already made up the collective band mind. “Corey, if Johnny goes through with this-“

“John, you mean. He was pretty adamant about that tonight,” I remind him.

In the rearview mirror, I see Ryan flash a sinister glance at me. “If Johnny goes through with this, then yes, we’ll find somebody new. It’s cool.”

Corey is still agitated. “That’s not what Elliot said.”

Ryan grabs his glasses from the seat beside him and pushes them onto his nose. “Really? Elliot, that true?”

“I guess I just thought that there was no Left Ventricle without Johnny.”

“Hell, Corey, face it,” Ryan leans up between Corey and I, lowering his voice. “With Johnny gone, we’d never have to find a YMCA just so he could shower again. We’d never have to track him down at some girl’s apartment in the morning and get out of town two hours late. Think of it.”

And he was right, Johnny was the one who subscribed to the Rock and Roll lifestyle most strictly; if you spent a week with Left Ventricle expecting sex, drugs and Rock ‘n Roll, it would suit your interest to stick close to Johnny. I could get you the Rock ‘n Roll and a few beers. Ryan could just as easily have gotten you the sex, but he’d pass on it himself. Really, for Ryan, if it wasn’t the music, there was little point. A friend of ours from another band assigned each of us an existing rock persona, somebody who had already made a name for themselves in music. Ryan got to be Conor Oberst, I got to be Max Weinberg. Johnny got to be Nigel Tufnel. “But he’s not real,” Johnny had protested at the time. “Neither are you,” Ryan had said.

Ryan leans back into his seat and rubs the gelled spikes out of his hair. “Shit,” he says. “I should just cut out with the hair product, what’s even the point? The people don’t come to look at us, they come to hear us, right?” He reaches into the back seat where I guess Johnny is lying asleep. He stabs with his hand. “Right?”

A muffled grunt comes from the back. Ryan spins around on his seat and faces back, leaning down. The gas light blinks on and I search the horizon for the beacon of a gas station.

“Are you really going to fuck us, man? I mean, really?” I look in the rear view mirror and see Ryan shift to my left as Johnny’s spectral form rises from the back seat. He’s got his shirt off and his hair is matted to the right side of his face.

“We’re not going to talk about this, Ryan.” I focus my attention back on the road but my eyes are getting tired. “Elliot, Corey, where are we?”

“About seventy miles from Columbia.”

“We got a show there?”

“Yeah,” Ryan says. “But I bet you want to just keep going until we get back to St. Louis, come back out for the show tomorrow night, right?”

“What time is it?”

“About three, Johnny,” Corey says.

Johnny yawns. “It’s just John now. Fuck. Where’s my phone?” I can hear him rummaging in his back pack.

“You’re still Johnny while you’re still part of Left Ventricle,” Ryan says, “Elliot, we stop in Columbia. I don’t want to give Mister Jonathan Avery Meyers a chance to shave and put on his business suit before we clear the end of this tour.”

“Fuck you, Ryan, um…uh…”

“Philip,” Ryan says.

“What?”

“My middle name.”

“Oh. Fuck you, Ryan Philip Creesey. What time did you say it was?”

A Shell sign appears from behind a tree-clad hill, about a mile away, and I put my blinker on and get back in the right lane. “Three in the morning,” Corey says again.

“Fuck. What day of the week is it?”

“Tomorrow is a banking day, if that’s what you’re asking,” Ryan says.

Johnny yawns again. “Fuck, Ryan, you’re not making me want to finish this tour.”

“I’m not making you do anything. I’m just asking for a little explanation, that’s all.”
“Not now,” I say. “Can we three just be civil until after Saturday night?” I make for the exit.

“Yeah, okay, Elliot,” Johnny says. “And how many days away is that?”

Ryan now: “It’s Friday morning now, asshole.”

I can hear Johnny punch a number into his phone. “I love Thirsty Thursdays.”

===

"I do not like to write - I like to have written." -Gloria Steinem

Tuesday, November 20, 2007

Lord, I Was Born a Ramblin' Man (And a Tuesday Excerptin' One, Too)

Alright, so, I've got a bit to get through.

I am going out of town tomorrow after work. I will be going to Davenport (to visit my brother-in-law Dave. Wow, Dave, Davenport...I think I will start calling it Dave 'n Port), spending the night, then Kathy, Dave, Cakelyn (Dave's daughter, see prior post about getting stuck in the middle of Iowa from the early days of my blog), and I will be heading even further North to Rochester, MN on Thursday for a Thanksgiving Feast.

But what's most important about tomorrow is that I will be turning 25. A quarter of a century. That scares me. It scares me mostly because when I turned 15, I could barely remember being five, but now I have vivid memories of being 15 (although, my Tuesday Excerpt below will refute that, but you will have to discern where I've taken poetic license and where I haven't). Fifteen was big; first year of high school, Jon Roundy joined The Hitchhikers and we actually had a singer, then we went into a recording studio. I made friends with Monica, and we're still friends today, so it was a year when good things happened. But what happened to five? Well, clearly, it was twenty years ago. And who can remember what happened twenty years ago?

I guess it's just my "getting older" syndrome I feel so acutely. Not so much at work, you know...I'm one of the youngest at work, but at school, no so much. Granted, I take a few night classes, so I don't feel like the absolute oldest, but even still I feel old. You see, even though I can't recall specific things about myself when I was five, I do recall many things about the 1980's. And the current class of freshmen know nothing of the 80's. I spent eight years stuck in the 1980's. I even went through an 80's revival phase in high school (spurred on by my physics/astronomy teacher, Mr. Yates...in conjunction with a campaign to bring back the ultimate power snack; Moon Pies and RC Cola. Oh, more on Moon Pies later...). A couple weeks ago, when one of my teachers asked if anybody in class remembered the Chrysler K car, three people raised hands...two ladies who have children old enough to be in college, and myself. The teacher looked at me and said, "Whatever, you are too young to remember the K car, those haven't been around since, like 1989. You were probably two then." I said, "Nope...seven. And a neighbor on my street had one until sometime in the mid-90's." Then, of course, inevitably, somebody did math and said, "No way! That would make you, like...twenty-five. No way you're that old?" To which my reply was, "Since when did 25 become old?"

Well, actually, earlier that same day, we were talking about the business of writing for money in my playwriting class. And the general gist was that if you haven't made an impact as a playwright or as a screenwriter by the age of 30, your chances go way down. They want young people. I have five years left until I'm 30. That's half of ten...and I can remember things from ten years ago like they were yesterday. So that's not a lot of time...

Back to the Moon Pies...I do like me some Moon Pies. My sister's husband, Kevin, works at a grocery store that sells Moon Pies (the big stores around here, for some reason, don't, but the smaller ones do...no one can quite understand or explain this phenomenon), so occasionally I get the token Moon Pie. For my birthday (we celebrated this Sunday with my family, because I will be out of town, plus my dad's birthday was last Tuesday, we normally celebrate the Sunday in between with dinner at my parents'), Mo and Kevin bought me a carton of ice cream...Prairie Farms Moon Pie Ice Cream.

The verdict? It's yummy, actually. I mean, ice cream is good, Moon Pies are good, makes a certain amount of sense that Moon Pie Ice Cream would be good, but...jelly beans are good, buttered popcorn is good, but buttered popcorn flavored jelly beans are quite possibly the nastiest thing a person could ever desire to eat an entire box of (and trust me, they sell entire theater-candy style boxes of Jelly Belly Buttered Popcorn flavored beans, I know, I used to have to put ad sings up for them every few weeks at Target). But no, I mean, this ice cream is really good. But you probably already have to like Moon Pies to appreciate it.

Another consequense of getting older is that (first time admitting this in a public forum) I can't eat the way I used to. Well, no, I can still eat the way I used to, it's just that now I actually show it. Not tremendously, just...enough that it's noticeable. After a week of particularly uninhibited scarfing down of every morsel in sight (and after a very heavy dinner of biscuits, pork-sausage gravy and scrambled eggs with cheddar followed by a dessert of apple pie...), I went to Ted Drewes Frozen Custard for another dessert (the Extreme Ice Cream Club), and a friend of mine I hadn't seen since just after I started my new job showed up. His first comment? "Hey...Elliot. Wow. You got fat."

So, let's recap; so far in the last couple months, I've been called Fat and Old by my peers, plus people are giving me food (the ice cream and half of my birthday cake came home with me from my parents' house, and Kathy won't eat it because she doesn't like spice cake). So, imagine how well my birthday is being handled.

On the upside of all of this, I can actually take time to ride my bike this summer, because I won't be worn out from working ungodly hours at Target, and I won't have homework, so I can get back in shape. For the time being, though, I have to buckle down, squeeze in a few crunches here and there, and remind mysel that even though I used to be able to order twenty dollars worth of Taco Bell, eat it in one sitting and still manage to lose a pound (no joke, it's happened to me in the past), I can do this no longer. So I shouldn't order that much. Or eat it if I do. At least, not in one sitting.

But then again, Taco Bell really doesn't keep well...

Okay, so, now to the last thing...and no, not "The Last Thing..." which I posted last week. I'm still working on that one. I kind of stalled...scene 2 is erratic right now and needs an amount of work. Then, of course, there's the rest of the play to write...

I digress. Actually, twice. First thing of the last two things; I really really want to take off from Rochester on Friday and head to the Twin Cities. If I had planned better, I'd totally do it, but right now, I don't think it's feasible. Maybe I'll call some folks tomorrow and bounce the idea off of them, see if they'll even be there. That's the real crux of the situation.

But now, truly, the last part of this evening's blog; the Tuesday Excerpt. This one goes out to my sister-in-law Lori, who is currently plowing through college applications. This is the application essay I wrote for Webster University, which netted me smiles from my admissions advisor, a laugh from my academic advisor, and $4000/year I will never have to pay back.

===

"Webster University General Application Essay" 2006"

I can remember my senior year of high school. This should come as no shock; I was what, seventeen and eighteen, and now I’m only twenty-three. I suppose that’s longer ago than it seems to me, but it’s so vivid to me still for some reason. Now freshman year of high school, I remember maybe three or four major events and those are, in no particular order; doing over five hundred push-ups during marching band camp, getting called out by Anne Lutjens for staring at her legs during academic lab (a glorified study hall), my band The Hitchhikers getting picked for a huge battle of the bands a week after our singer went to Germany for a month, and my sister graduating and going off to college. A whole nine months, and that’s about all I have. But senior year, I had everybody breathing down my neck.

I borrowed books about college essay preparation. I asked all of my older friends if I could read their essays to see what they said. I asked teachers, guidance counselors, friends, family, co-workers, a girl at Starbucks, and tried to find some help on the internet. In the end, I wrote and subsequently directed a one-act play about a guy attempting to write his college application essay. His friend distracts him, and in an entire weekend he manages to write three sentences. That’s a whole three sentences more than I got. Of course, that didn’t stop people from asking where I was going to school. The answer was simple.

“Nowhere.”

Except I did go to college, at the University of Minnesota. Only, I didn’t take it very seriously that first semester, spring of 2002. I was under the impression that college was about drinking and having fun, so much so that I forgot that it was also a little bit about school. So, I went on academic probation. Then I got mono fall semester, and my motivation gave out on me. Basically, I flunked out and came home to St. Louis.

That’s when I went to community college. This was in 2003 (a full two years after I graduated from high school). I went for one whole semester and then dropped halfway through the next because something had happened while I was academically probated and getting dangerously sick; I fell in love with and proposed marriage to a girl, and I had no money because I was only working enough to keep gas in my car so I could continue driving to and from school and work. I buckled down at work, went full time. I got married July 17th, 2004. Best day of my life thus far. If you haven’t fallen in love and gotten married, I would recommend it. I enjoy it immensely.

Of course, I spent the next year not going to school, which led my wife to deliver the gentle but firm statement “if you don’t go back to school, I don’t know if I can stay with you.”

You see, silly me, the spring leading up to the summer we were married, all she wanted to do was drop out of school. I had told her not to, because she was nearly done with her degree. So, on my advice, and threats of not staying with her, she finished school. Ah, how the tables had turned! So, summer 2005, I decided to sign up for another class at community college.

“Another class” turned into a ten-credit summer session, while still working full time, which basically meant I had either enough time to sleep or enough time to eat and, most often, chose eating because, if you knew me, that’s just the kind of thing you would expect. So when it came time to sign up for fall semester, I opted to pull back a little.

“Pulling back” turned into eleven credits. Still working full time. Oh, and my wife and I bought a house. So, you can see how well pulling back worked.

The upshot of all of this is that I am finally, after four and a half years out of high school, a sophomore in college and I just decided I would much rather spend the next few chapters of my academic life at a school I am excited to attend, even though I may have been afraid of it at one time.

Why was I afraid of Webster University my senior year of high school? Because I could see Webster’s campus from the parking lot of my high school. I didn’t want to travel only that far, I wanted to go somewhere. Hence Minnesota.
Now that I consider things, though, how far have I come since then? Well, aside from marriage and home ownership and about six thousand miles logged on a bike that is worth more than my car, academically I’ve achieved in four and a half years what it should have, by all counts, taken me nine months to accomplish. And I can’t let the next three academic years take me into my thirties, forties, or beyond. Why wait? My friends, family, and especially my wife will tell you that I put the “pro” in procrastination; I’ve taken it to a whole new level. I just think it’s time to let certain skills die and sharpen others that are much more useful.
It is time to move forward and actually go somewhere.

===

"Finishing a book is just like you took a child out in the back yard and shot it." -Truman Capote

Thursday, November 15, 2007

Well...

Sorry gang. Life gets in the way of plans sometimes I guess. So does death.

My wife's friend's father has been very sick, and he passed away this week. Tomorrow evening, we are going to the visitation. What this means for you, my audience, is that I will not be Free-Writing tomorrow. It may be two weeks, then, before I get back to it, as next week internet access may be questionable as I will be in Minnesota for Thanksgiving.

But, fear not, I will leave you with this to read, ruminate upon, and so forth.

My first "year of college" spanned several calender years. It began in the spring of 2002 and lasted until the spring of 2006, really. I mean, it didn't actually take me that long to become a sophomore, in fact I was a sophomore at the end of the fall 2005 semester, a sophomore by about six credit hours. But that's not the point. I didn't full-on start a sophomore year until I transferred to Webster in the fall of 2006.

I have attended three schools in my college career. The first of these, many of you know, was the University of Minnesota. I was not a conscientious student. I was barely a conscious student. It was a place to make friends and eat pizza and get drunk for me. And I did that very well. But what I have left from there is friendship, my wife, and a learning experience I could not have otherwise obtained if I had just buckled down and played the role of the usual college student.

Regardless, each school has provided for me friendship with people who have meant a great deal to me, many of whom still do. And actually, in the interim, when I wasn't in school during that five and a half year period that encompassed my "freshman year," I worked at Target, which in itself was a learning experience. I met a lot of wonderful people there, as well, who helped me grow as a person.

I could list all of these people. I should list all of them. But I hope you know who you are, because otherwise, this post will get ridiculously long. And we all know how much Molly loves my ridiculously long posts. And this one is already promising to be plenty long. But I do want to talk about somebody who had a profound effect on me. A lasting impression that I can't shake. And it's sad, really, to think about him, because I barely knew him. And I'll never get the chance to.

And I'm talking about a guy named Chase Korte. He was one of those guys that was known to pretty much everybody. Not that he wanted to be known, he just wanted to know everybody, and he was good at it. The first time I met him was on the bus from East Bank to St. Paul, and he quoted a line from Fight Club at me. And I recited the follow up perfectly. He invited me up to his room that night and we watched the film. It was a Wednesday. And then, not every Wednesday, but a lot of them, we would watch movies with a group of people. It was nice. It was a pleasant routine. It was, probably, the most consistent meeting I ever attended at the U of M that semester (my grades will reflect this).

He was a writer, an actor, a comedian. He was unique in a unique way. A run-in with Chase Korte always proved to be a memorable one.

He was killed in a car accident in February of 2007. About halfway through my sophomore year. Only I didn't hear about it right away. And I blamed some of my friends who knew him. I thought they had a responsibility to tell me about Chase's death. I felt forgotten and betrayed.

And then it hit me that none of them were even aware that I knew him. Because in the time it took them to finish college, I was still working through my freshman year. It wasn't that they didn't think I wouldn't care...it's that it had been so long since I had seen any of them, and even longer since I had seen Chase, that perhaps our friendships had never crossed paths. I think back, and I can remember a few instances when other friends from Minnesota, those still have contact with, were present on a Wednesday night. But there were no regulars at the Wednesday Night Movie Club, other than me and Chase. And it was the only thing we did together. Of course nobody thought to tell me.

And the more I got to think about it, the more the memory of Chase kind of haunted me. I liked this guy, I considered him a friend, but I never once bothered to maintain contact with him. Nevermind laying any blame on him, because I never got the sense that he wouldn't have kept in touch. More than once my second semester at the U of M, I would be well on my way to passing another face in the crowd when that face would call my name and resolve itself into Chase Korte, asking me if I was free that Wednesday night for a showing of Pi, or The Big Lebowski, or Breaking Away. We just lost touch, as people do.

So the reason I bring this up at all, is because I have been thinking about some way to celebrate his memory. Facebook groups are out, because there are two of them already, created by people who hadn't lost touch. I wrote my first three day novel about the Wednesday Night Movie Club, but I discount that as a work of pure crap. But I felt I needed to do something, something for a friend I lost touch with. This idea began sometime in April, when I found out about his death. But I just couldn't decide what to do.

I had planned, for the second half of the semester project in playwriting, to write a comedy about an elevated terror level forcing Dick Cheney to move to an undisclosed location, and having that location be the basement of a suburban family comprised of a staunchly liberal woman, her politically aloof husband and their angst-ridden teenage son. It was going to open with Dick Cheney singing Queen's "Bohemian Rhapsody" in the basement as the teenage son got home (high, of course, having scored drugs from a friend), and let it go from there. But then I got to thinking about Chase again, which I hadn't done for a while, and then it occured to me what I should do. And so I present to you, in my standard "Tuesday Excerpt" format (on a Thursday evening), the first scene of my play.

===

from The Last Thing... October/November, 2007

Characters:
Robert Forsyth, 25, tall and thin
Dexter MacKenzie, 24, very handsome

Setting:
The living room of a one bedroom apartment in the Central West End of St. Louis. Hardwood floors, high ceilings. A kitchen through a large open doorway upstage left. The decorations have a distinctive Artsy-20-something feel; black and white photos, Toulouse Lautrec posters. A metal and black-glass coffee table center. Ikea furnishings. A modestly sized television. Loveseat, armchair. The table is a mess of opened mail.

An all-night coffee shop on the corner of Euclid and Laclede.

Scene 1

A dark stage. A knock on a door. Barely seen, dressed in flannel pants and a white tee, Robert Forsyth enters from stage right and runs into an unseen coffee table, grunting. He grabs at items on the table and comes up with a cell phone, which he opens. It illuminates the stage very little. Another knock.

ROBERT
Just a minute.

He walks over to the door stage left, and flips a light switch. The lights come up. He shuts the cell phone and opens the door. Enter Dexter MacKenzie, dressed like Brad Pitt from Fight Club.

DEXTER
Forsyth! What is up my lanky friend?
(bear hugs Robert)

ROBERT
Dexter?
(pulls away, looks quizzically at Dexter, shuts the door)
Where did you come from?

DEXTER
Ah, you know how it is...you go and you struggle and you struggle...and you struggle...

ROBERT
Acting?

DEXTER
No, I’m for real here. You struggle and finally, you catch that big break...contract...can I sit down?

ROBERT
(rubbing the sleep from his eyes)
Yeah, take a seat. Um...

DEXTER
Sorry, I know, out of the blue.
(sits on the loveseat)
Bet you didn’t expect this!

ROBERT
It’s Wednesday night, Dexter...I work, you know.

DEXTER
Not tomorrow, man. Call in sick, something.

ROBERT
I don’t-

DEXTER
You do.

ROBERT
No, I...
(beat)
Dexter...
(he sits in the armchair)
It’s been, what...

DEXTER
Three years. Three looonnng years. Since Brussell’s party. Oh, hey, how is Brussell? That was the last time I saw him, too.

ROBERT
I don’t know...I haven’t talked to him in-

DEXTER
I’ll hit him up next. I mean, when I’m done here, I should just go to Minnesota. I probably should have gone there first, but, you know, whatever.

ROBERT
I’m...dreaming. I am still sleeping. Dexter MacKenzie is not in my living room.
(Dexter grabs the television remote from the cushion next to him and chucks it right at Robert)
Ow, fucker!
(beat)
Sorry, you come all this way and I cuss you out.
(Robert holds the remote)
Wait, I’m apologizing to you? You threw a remote at me.

DEXTER
Had to be done, Robert. I...
(looking around)
A girl lives here.

ROBERT
What?

DEXTER
I’m here. That’s what’s important.
(beat)
I can tell. There’s a feminine touch about the place.
(gets up, inspects the place)
Hmm...

ROBERT
Aren’t you supposed to be in LA?

DEXTER
Thought you were coming out there, with your pages of scripts and your keen wit.
(continues his examination)

ROBERT
(uncomfortable)
I got sidetracked.

DEXTER
Not me.
(his eyes rest on the table)
Ah, but she’s not here, is she?

ROBERT
What?

DEXTER
The girl who lives here. She’s not here.

ROBERT
She doesn’t live here. I mean, not yet. I mean, she’s still tied up in her lease, but...

DEXTER
Have a fight? She in Chicago?

ROBERT
No, she’s...yeah. How did you know?

DEXTER
(points to a picture on the wall; a street scene)
There’s you and some guy, he’s got his arm around some girl, and that’s Daly Plaza behind you.

ROBERT
That’s...yeah, that’s, it’s...um...her name is Molly and his name is...um...shit, it’s something like Jack or something. I don’t know. But yes, she is in Chicago visiting Molly and Jack. It’s...it’s not important, really. She’ll be home...Friday? Evening.

DEXTER
So she does live here. Or she calls this place home, at least.

ROBERT
What are you doing here.

DEXTER
I’ll tell you what I’m doing here.
(sits back on the couch, stares intently at Robert for a long, silent minute)
Getting thirsty. Please tell me you’ve got one of those pretentious microbrews you used to drag on about.

ROBERT
Yeah, I think I’ve got something. Maybe. I dunno.

DEXTER
Your authoritative stance on the issue is reassuring to say the least.
(leans forward, peers intently at Robert)
You okay?

ROBERT
I’m tired. It’s...what time is it? East Jesus o’clock in the morning. This late, when I’m this tired, time has no meaning. It just passes too quickly. All of a sudden, it’s dawn, the birds are chirping, the traffic picks up, the restaurant downstairs makes coffee, it’s time to go to work and I spend the rest of the day like a zombie.

DEXTER
(very serious)
Living dead, eh? That bad? You’re sure about that?

ROBERT
Dexter, what are you doing here?

DEXTER
I got the big call, man. My career; on the way up. You know? Trust me. I mean, the director and I had some creative differences, it was a real tough film.

ROBERT
So you actually made a film?

DEXTER
Give me back that remote.
(Robert tosses the remote back to Dexter)
Thanks.
(Dexter chucks it back at Robert)

ROBERT
Ow, Christ...Dexter!

DEXTER
Don’t say that like you’re surprised. You knew I had it in me. Destined for great things. Right?

ROBERT
Yeah, right, okay. Just stop throwing shit at me. What’s the film?

DEXTER
It’s called Peace Walker. I played a guy who’s got this brother.

ROBERT
Sounds deep.

DEXTER
No, no, listen. This brother goes off to fight in Iraq, right? And...what’s her name, by the way?

ROBERT
Who? The brother?

DEXTER
No...your live-in. The, what do you call her? Roommate? Girlfriend? Future Mrs. Robert Forsyth? What’s her name.

ROBERT
Andrea. She’s my girlfriend.

DEXTER
Gotcha. Did you check on the beer?

ROBERT
What? No, I...

DEXTER
(getting up)
I got it.
(exits to kitchen, from offstage)
So, the brother, he goes to Iraq, and before he goes, he and I have this big argument about why he’s going. It’s all very political. Oktoberfest beer?
(re-enters carrying two bottles of beer)

ROBERT
Yeah, so?

DEXTER
So it’s May.

ROBERT
I fail to see the problem. It’s cold. It’s never been opened. It’s been in the fridge for seven months. I don’t let beer get warm once it’s cold. I had one last week. It tastes better than it did in October.

DEXTER
(wary)
Okay. Bottle opener?

ROBERT
Above the trash can, on the wall in the kitchen.

DEXTER
Thanks.
(exits to kitchen again, from offstage)
So, he tells me why he’s going, and then, well, you can predict this, he dies.

ROBERT
I think I’ve seen this movie. Except it was about Vietnam.

DEXTER
(enters)
Ah, but this is just the first twenty minutes of the film.

ROBERT
Hm.
(Dexter hands Robert a beer and sits back down on the loveseat)

DEXTER
So, it’s the day of the funeral, and I remember that my brother always wanted to go to Ireland, to visit the land where our mother’s father came from, but I hated my mother’s side of the family. And-

ROBERT
Sorry...
(beat)
You get all of that in the first twenty minutes?

DEXTER
Roughly, it’s not really finished. So, I decide to visit Ireland, and walk from one end to the other and talk about peace.
(long pause)

ROBERT
That’s it?

DEXTER
Only I actually walked from like the Northern most part of Ireland to the Southern most part.

ROBERT
In the movie?

DEXTER
In real life!

ROBERT
For the movie?

DEXTER
The camera man quit. Most of the crew quit. Actually, in the end, it was just me and the director. Pretty fucking sweet, huh?

ROBERT
I guess I’ll have to see it.

DEXTER
Right. So, okay, so this...big. I mean...
(beat)
Okay. This somewhat monumental thing happened to me. And before it all comes out, I mean...I wanted to precede the news, you know? And kind of...do a tour. A kind of “Dexter MacKenzie, This is Your Life” sort of thing. Only...well, you know?

ROBERT
No. All I know is that you woke me up in the middle of the night. I mean, hell, I’m glad to see you. You look great for whatever ungodly hour it happens to be. I mean...
(beat)
...I mean, you look like a million bucks is what. Jesus, aren’t you tired?

DEXTER
No. Come on, put some clothes on. I saw a coffee shop that was open a few blocks away. Throw on some shoes and a jacket, and when the time comes, call your boss and say you’ve got a terrible cold. Or, umm...does anybody you work with have small children?

ROBERT
What? Well, my boss does, but...

DEXTER
Great. I’ve noticed that people with small children will force you to stay home if you have a fever. Say you have a fever.

ROBERT
(contemplating)
Okay.

DEXTER
Say it!

ROBERT
Okay!

DEXTER
No, say it! Say it now!

ROBERT
What?
(beat, Dexter looks menacing)
Okay, alright. I have a fever.

DEXTER
Louder!

ROBERT
(louder)
I...I have a fever.

DEXTER
Can’t hear you!

ROBERT
(very loud)
I have a fever!

DEXTER
Thank you! Now...
(dramatically)
Let’s finish our beers and go get coffee.
(lights out)

===

"The last thing I want to be is forgettable."
"...there's no freedom unless you're vulnerable first."
-both attributed to Chase Korte, 1982-2007

Saturday, November 03, 2007

(Tuesday) Excerpt

...several days late.

Today's excerpt comes from a play I wrote anonymously for class. And then they all had to guess who wrote it. And I had the class fairly split. Fair warning, it's about a cannibal. But, like, not Hannibal Lecter, more like...Frank Burns (from M*A*S*H, but the film version, not the television version) if he were a cannibal.

===

from "Confessions of a Conservative Murderer" by Anonymous (but really by me)

CHARACTERS:
Aaron Michael Stevens, the titular character
Seth, a seventeen year old boy
Marie, a fifteen year old girl

SETTING:
A classic looking kitchen; black and white tile, updated appliances, pantry in upstage right corner, a counter running parallel to the front of the stage with barstools in front of it divides the kitchen in half. Present day. AARON stands with his back to the audience, looking in the refrigerator. SETH is crouched in between the barstools, unseen by AARON.

AARON
What is it with people in the suburbs not having anything ready to eat these days?

(He turns towards the audience, with a green can of parmesan cheese in one hand and a jar of pickle relish in the other)

I mean, really, it’s almost obscene.

(Seth cringes as Aaron approaches the counter and sets down the food)

You people should be ashamed of yourselves.

(he goes to the pantry and opens it, revealing Marie, tied up and with a look of fear in her eyes)

You hear me? Ashamed! Unless, I’m sorry…is this your house, or the boy’s house?

(pause)

Don’t tell me you’re brother and sister…that makes things even worse.

MARIE
(timidly)

It’s his house…his father’s house…not mine…

AARON
Oh, bacon bits!

(he pushes Marie to the side and grabs the bacon bits)

And French Fried onions!

(grabs both items, slams the door in Marie’s face, she whimpers and Seth jumps up to face Aaron, brandishing one of the barstools)

SETH
You sick fucking animal! Let her go!

AARON
Young man, you’re calling me an animal?

(Aaron calmly approaches Seth, who is noticeably quivering)

The way you were breathing when I found you, with your shirt off, and your hand down her pants…and you’re calling me an animal?

(he slams the items in his hands down on the counter, then easily wrestles the barstool from Seth’s grip)

I am not an Animal! I am a human being!

(throws the barstool to the ground, breaking it)

You are the animal, young man!

(Aaron grabs the now sobbing Seth, drags him over behind the counter, picks up a large knife from a nearby knife set, and as he slashes, Seth goes silent as the lights go out)

Lights up, same setting, a little later. Aaron is splattered with blood and fiddling behind the counter. Unless otherwise directed from here on out, Aaron’s lines are addressed directly to the audience.

AARON
Look, I know that a lot of people are going to throw out words like “insane” and “troubled” and “monster” and “death penalty” and stuff like that. They probably already do. And I know some day I’m going to get caught, but I’m doing the world a great service, here.

(he picks up the can of parmesan cheese, shakes some into his left hand, and sets it back down)

Think of it this way; law enforcement can’t enforce every law on its own, people just need to comply with some things. Well, unfortunately, not everybody does. And not everybody who doesn’t comply gets caught. If you follow me.

(he picks up the jar of bacon bits and shakes some on top of the cheese in his hand)

Well, there are some things that people just shouldn’t do, and they should get punished for it. I mean, for instance, murder of an innocent life. Yes, I’m talking about The Big One, Roe v. Wade, abortion. That’s why I killed that doctor out in Canton, Ohio. I was saving potentially hundreds of innocent lives by removing one guilty life from this world. That’s why I killed that so-called “Mother” outside the clinic in New Jersey. Sure, her blood stained my Doc Martens, but she herself was stained with the blood of the innocent. And the blood of the innocent doesn’t wash away quite so easily.

(he sniffs at the food in his hand, then adds some French fried onions to the pile)

But it’s not just that. I mean, I did a tour of VFW halls a while back. Like, ten, fifteen years ago. This is how I got started. I asked all these veterans about their experiences. And if they mentioned anything about murdering civilians in a casual tone…well, come on! That’s guilty right there. Almost the definition, worthy of Webster’s.

(produces a spoonful of pickle relish, which he drops into his hand. There is a noise from the pantry)

And that’s what got me started.

(shoves the food in his hand into his mouth, dropping a good deal, after which he cleans himself off with a napkin and then walks over to the pantry, opening the door)

Is everything alright in here? You comfortable?

MARIE
Ye..yes.

AARON
Okay then. I just have one question; were you comfortable when I found you?

(silence, aside from Marie’s quiet sobs)

I’ll let you think about that one some more.

(he slams the door, returns to the counter)

Now after a little while, I realized I was committing a sin. I was guilty of something. What could I do? Well, you see, I felt remorse. A little bit, anyway. I felt conflicted. I mean, on the one hand, I was leaving earthly remains to be found for burial, you know, to give solace to the bereaved. But what right had they to be bereaved? To mourn for a guilty soul? Please. I was guilty of waste. And you know what they say? “Waste not, want not.” And being the self-appointed Hand of God doesn’t pay very well, especially when you’re always on the move. So…

(there is a beep)

Oven’s preheated, okay. Well, the secret to cooking a teenage boy is to only cook the good parts. Luckily, this one must be a track star, because his legs are nice and meaty. Maybe a swimmer, since it seems like he shaved his entire body.

(reflecting)

Although that may have something to do with his plans for this afternoon.

(returns to the pantry, opens the door, speaks to Marie)

Was today your first time?
MARIE
N…No. He…keeps count. I think it was our seventh.

AARON
Oh, mercy. Well…do you have an answer to my first question?

MARIE
…I never…never enjoyed it. I was never comfortable.

AARON
But did you want to be doing it?

(silence, Marie shakes her head “yes”)

I was afraid of that.

(she screams, he pulls her forward, puts her head on the ground in between the door and the door frame, and slams the door several times, the last time getting splattered with a little bit more blood as her screams get silent and the lights go out)

Lights up. It is several moments later. Aaron is splattered with still more blood. Steam rises from pots on the stove, which he stirs occasionally during the final scene.

AARON
So I find that hotbeds of sin are high schools. Oh my Good Lord! Kids lying, sneaking out of school, stealing from teachers and from each other, it’s amazing! Wait ten minutes outside of a high school, and you can bet most every law has been broken once within those walls while you stood there waiting. I would love to purge an entire high school of sinners…but people would catch on and then invariably, somehow or other, I would be pegged as the bad person. But I always leave a note. I explain it. I never steal anything, other than a little bit of food. I always put everything in the dishwasher after I use it. I always clean up as best I can. Because that’s what it’s about…making things clean.

(beat)

So this afternoon, I was strolling past a high school and noticed these two young kids, a boy and a girl, hurrying away. They got into a car, the boy was driving, so I followed them as best I could and found them here. They were kissing all the way into the front door and they forgot to lock it, which was fortunate for me. And for them too, because now they’re getting their rewards. And I get to eat. I waited a few minutes, then entered, and I heard them making some noise, and I found them…well, you can imagine. And the boy, the coward, picked up the girl and threw her towards me, then rushed out of the room. Well…talk about cowardice. But I knew he hadn’t left, because I can always tell. And sometimes, in these situations, there is one willing and one unwilling participant. And it appeared that he was certainly willing, but I wasn’t sure about her. And I wanted him. So, I tied her up in the pantry, gave her the benefit of the doubt.

(pause)

Silly of me, really. I’ve seen enough to know that I have seen too much. I should have known she was a willing participant. Well, you live and you learn, I suppose. And I found him, he confronted me. Ha! But I got him! Oh, I got him.

(pause)

The secret is to cook quickly. You can’t take time to savor, especially when somebody else might walk in and find you. But I spoke to the girl for a moment, she said the boy’s father is away on business, which is why they chose this house for their, um, rendezvous. So today, I can really take the time. I’ve got the boy slow roasting, I’ve got bits of her slowly simmering in a stew…it’s such a nice day, I wish I could go outside and barbecue. But that might arouse some suspicion, and, as I said, I have to keep low. Some people don’t appreciate what I do. Some people might think I’m a monster. But I do what I have to. I’m cleaning the world and surviving. Surviving.

(dips a spoon into the largest pot, tastes the stew, then reaches over and adds French fried onions or bacon bits or pickle relish, whichever is closest, as lights fade)

End.

===

"It's grift sense; I mean, you can search high and low all day, but to no avail. Without grift sense, you're never going to find that lemon." - Murray Farish